English architectural landscapes and metonymy in Hollinghurst's The Stranger's ChildEnglish architectural landscapes and metonymy in Hollinghurst's The Stranger's Child
Faculty of Arts. Linguistics and Literature
Literature and Modernity
CLCWeb: comparative literature and culture: a WWWeb journal. - -
14(2012):3, p. 1-11
University of Antwerp
In his article "English Architectural Landscapes and Metonymy in Hollinghurst's The Stranger's Child" Bart Eeckhout analyzes Alan Hollinghurst's novel in light of Hollinghurst's interest in architectural representation. Eeckhout analyzes the novel's principal scenario of architectural change in the course of the twentieth century and postulates that Hollinghurst employs unconventional genre codes and queers the social realist novel, the family saga, and the country house novel. Eeckhout analyzes The Stranger's Child as a comedy of metonymies which impresses upon its readers the structural necessity of diverse perspectives, labyrinthine metonymical constructions, and the dynamics of place. Further, Eeckhout argues that Hollinghurst dramatizes for his readers how desire impels narratives, landscapes, and human interactions alike in ways which afford only passing moments of aesthetic enchantment and provisional insights along the way.