Publication
Title
Audio-description reloaded : an analysis of visual scenes in 2012 and Hero
Author
Abstract
This article explores whether the so-called new cinema of attractions, with its supposed focus on visual effects to the detriment of storytelling, requires a specific approach to audio-description (AD). After some thoughts on film narrative in this type of cinema and the way in which it incorporates special effects, selected scenes with AD from two feature films, 2012 (directed by Emmerich) and Hero (directed by Zhang Yimou), are analysed. 2012 is a disaster movie aiming to thrill the audience with action. Hero is an equally visual movie but its imagery has an aesthetic purpose. The analysis investigates how space, time and action are treated in the films and the ADs, and how the information is presented in terms of focalization, timing and phrasing. The results suggest that effect-driven narratives require carefully timed and phrased ADs that devote much attention to the prosody of the AD script, its interaction with sounds and the use of metaphor.
Language
English
Source (journal)
Translation studies. - London, 2008, currens
Publication
London : 2015
ISSN
1478-1700 [print]
1751-2921 [online]
Volume/pages
8:1(2015), p. 63-81
ISI
000345270700005
Full text (Publisher's DOI)
Full text (open access)
UAntwerpen
Faculty/Department
Research group
[E?say:metaLocaldata.cgzprojectinf]
Publication type
Subject
Affiliation
Publications with a UAntwerp address
External links
Web of Science
Record
Identification
Creation 02.10.2014
Last edited 19.11.2017
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