Publication
Title
Quality television in the making : the cases of Flanders and Israel
Author
Abstract
This article discusses the properties of quality television as constructed within the field of television production. It does so by analyzing the discourse of television creators and critics in two countries, Israel and Flanders, taking a theoretical approach based in part on Bourdieusian theory. Most academic work about quality television concentrates on Anglo-American television drama series. In this paper we offer a different perspective by focusing on two small but prosperous television markets outside of the Anglo-American world. Our findings suggest that the quality discourse in both countries contains autonomous-artistic alongside heteronomous-capitalist ideological elements, apparently under the influence of the Anglo-American discourse of quality. Our findings also suggest that both ideological elements contribute to the cultural legitimation of the television drama series in both countries, though the capitalist discourse plays a more evident role among creators than among critics. Finally, we also discuss the differences between the Flemish and the Israeli discourses of quality television.
Language
English
Source (journal)
Poetics: journal of empirical research on culture, the media and the arts. - Amsterdam
Publication
Amsterdam : 2015
ISSN
0304-422X
Volume/pages
52(2015), p. 64-74
ISI
000367121800005
Full text (Publishers DOI)
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UAntwerpen
Faculty/Department
Research group
Publication type
Subject
Affiliation
Publications with a UAntwerp address
External links
Web of Science
Record
Identification
Creation 08.09.2015
Last edited 15.05.2017
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