|
Title
|
|
|
|
Engaging the audience in a digitised television production process : a "hierarchy of influences" approach
|
|
|
Author
|
|
|
|
|
|
|
Abstract
|
|
|
|
| This article discusses producer practices and the reasons why they engage their audience in the production process. In a digitised media context, audiences have become more visible, mainly through social media, and have more means to participate. Our research deconstructs the production process of a particular television programme by means of the hierarchy of influences model, which separates micro and macro levels that influence production. It draws on in-depth interviews with all editors of Flemish current affairs programme De Afspraak (The Appointment) and on a three-month participatory observation. We conclude that immersive ways of engaging the audience are applied in our specific case. More broadly, we argue that although practices change, pre-existing norms and values about the television audience remain central to how producers engage their audience through digital and social media. |
|
|
|
Language
|
|
|
|
English
|
|
|
Source (journal)
|
|
|
|
Journalism practice. - Abingdon, 2007, currens
|
|
|
Publication
|
|
|
|
Abingdon
:
Routledge
,
2018
|
|
|
ISSN
|
|
|
|
1751-2786
[print]
1751-2794
[online]
|
|
|
DOI
|
|
|
|
10.1080/17512786.2017.1343093
|
|
|
Volume/pages
|
|
|
|
12
:7
(2018)
, p. 901-917
|
|
|
ISI
|
|
|
|
000440612000007
|
|
|
Full text (Publisher's DOI)
|
|
|
|
|
|
|
Full text (open access)
|
|
|
|
|
|
|
Full text (publisher's version - intranet only)
|
|
|
|
|
|