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Title
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Violated sex : rape, nation and representation of female characters in Yugoslav new film and black wave cinema
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Author
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Abstract
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| The aim of this study is to reveal how women are represented in the Yugoslav New Film and Black Wave films. I argue that they show a recurring pattern of rape. I interpret a raped woman in Yugoslav films as an allegory of a raped nation. To investigate this motif, I have selected three fiction films, all addressing a short pro-Stalinist phase of Yugoslav history: Lisice/Handcuffs (Krsto Papić 1969), Uloga moje porodice u svjetskoj revoluciji/The Role of my Family in the World Revolution (Bahrudin Bato Čengić, 1971), and Doručak sa đavolom/Breakfast with the Devil (Miroslav Mika Antić, 1971). In my investigation I will draw on feminist film scholarship as the conceptual framework. Furthermore, I use close reading as the method to explore the movement's oeuvre. |
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Language
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English
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Source (journal)
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Studies in Eastern European cinema. - [Bristol, UK], 2010, currens
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Publication
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[Bristol, UK]
:
Intellect Limited
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2018
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ISSN
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2040-350X
[print]
2040-3518
[online]
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DOI
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10.1080/2040350X.2018.1435204
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Volume/pages
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9
:2
(2018)
, p. 132-147
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Full text (Publisher's DOI)
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Full text (open access)
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Full text (publisher's version - intranet only)
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