Publication
Title
Some concerns with experientialism about depiction: the case of separation seeing in
Author
Abstract
Experiential theories claim that depictive representations should be defined with reference to the experience elicited in their viewers. To accommodate both the visual and the representational character of pictures, they introduce the idea of a standard of correctness determining the appropriate pictorial subject, which is made available to our experience by resorting to general background knowledge. I argue that this kind of account is unable to clarify what makes some piece of information more suitable than another to contribute to the recognition of the depicted subject. I support my point with an analysis of the notion of separation seeing-in, developed by Robert Hopkins to account for pictures like stick-figure drawings, which exhibit a gap between what is visible in them and what we take them to depict. The result is that visual experience cannot guide the selection of the necessary information to individuate the represented subject: the representational function of a picture cannot be reduced to any idea of experience suitably constrained.
Language
English
Source (journal)
Proceedings of the European Society for Aesthetics
Publication
2018
ISSN
1664-5278
Volume/pages
10 (2018) , p. 19-34
Full text (open access)
UAntwerpen
Faculty/Department
Research group
Project info
The Paradox of Interactive Fiction: a New Approach to Imaginative Participation in Light of Interactive Fiction Experiences.
Publication type
Subject
Art 
Affiliation
Publications with a UAntwerp address
External links
VABB-SHW
Record
Identifier
Creation 26.06.2019
Last edited 07.10.2022
To cite this reference