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Title
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Embodying the audiovisual scene : a container model for analyzing sound in film
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Author
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Abstract
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| This article provides an embodied cognitive account of sound in film. Treating sound and image as equal partners, we first develop a spa-tial model for film sound that is based on the inferential logic of the con-tainer image schema; an embodied schema which has been argued to play a pivotal role in human reasoning. Next, we use this model to distinguish between three kinds of dynamic sound patterns of containment in film: (1) sound vectors that cross the on-screen/off-screen border within diegetic space, (2) sound vectors that shift from one diegetic time and/or space into another, and (3) sound vectors that cross the diegetic/non-diegetic border. The theoretical entailments of these patterns for film sound analysis will be illustrated through various case examples of narrative cinema. |
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Language
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English
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Source (journal)
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Projections: The Journal for Movies & Mind
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Publication
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2023
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ISSN
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1934-9688
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DOI
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10.3167/PROJ.2023.170204
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Volume/pages
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17
:2
(2023)
, p. 62-85
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ISI
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001129121000007
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Full text (Publisher's DOI)
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Full text (open access)
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The author-created version that incorporates referee comments and is the accepted for publication version Available from 18.01.2025
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